In 1996, Natalie Cook was the first official model to represent Lara Croft. Today she sat down with me and a couple of folks from Survivor Reborn to talk about her experience as the original, real-life Tomb Raider!

Hi Natalie,

Hello Ash!

Thank you for joining us today! Dare I say you look absolutely fantastic and it’s hard to imagine it’s been twenty years since you were Lara’s model!

Thank you, nor can I [she laughs]!

So let’s go back to 1996 then, how did you become Lara Croft?

Well, Eidos at the time were looking for a model to be Lara Croft and my agent gave me a call. She said to me “You know your brown contact lenses that you’ve got from your previous job as Snow-white for Disney? Can you put them in and go for the casting and see how it goes? They [Eidos] stipulated that they wanted a model with brown eyes, athletic-looking and with a nice-sized bust.” There were lots of girls and I thought that I wasn’t going to get this job… and yes so I just went for this interview. They asked me a few questions. It was twenty years ago and I can’t quite remember what they were asking… and yeah, my agent gave me a call and said that they [Eidos] wanted to use me as Lara Croft.

How much did you know about the character when you first dressed as Lara?

Well, not very much… they didn’t really say too much about her. I think because she was quite new at the time, and the character was in the early days of development. I think as the years have gone on they’ve adapted her so much and they changed the way she looked, like ridiculously, she’s completely unrecognisable from that picture there [she points on my t-shirt with classic Lara] to what she looks like now!

Do you remember any other girls who were at ECTS?

I do, at the computer show [ECTS] there was this girl called Katie Price who’s gone on to be really famous and another girl whose name I can’t remember but I do remember that me and Katie didn’t quite gel with her. Me and Katie were really enjoying what we were doing and the other girl didn’t seem like she was enjoying herself.

Natalie Cook on the left, Katie Price on the right. ECTS, (1996). Olympia, London

So I’d imagine you were the lead model. How were your relations with the other two at that expo? Were you three having fun portraying Lara?

Yeah, we were told to just run around, pretend to sort of shoot people, and basically “kick arse” – that’s what they told us to do, so we had great fun doing that [she laughs]

How did you feel at ECTS? Did anything unusual happen?

I can’t remember anything unusual but I do remember that we had such a great time portraying a woman that, you know, men were fearful of. She was used to getting it her own way and basically we used that to our advantage. And the guns that we had were quite realistic and we just had a great time.

There’s one mysterious detail we noticed on one of your early photos. What is this notepad you have? Also there’s a signature on your shirt. Do you remember anything about it?

Hmm, no I don’t remember what that is [she looks closely at the picture]. Oh it might have been the game!

As for the signature, that was Björn Borg, the tennis player. At the time, these were white tops and they didn’t have “Tomb Raider” written on them there. And obviously when they chose me to be Lara’s model to go to the places all over England, they changed my outfit to be more thematic.

Important question. Have you played the game?

I did, but not very well [she laughs]. I remember playing at a few launches and I remember kids were sitting next to me and also playing, and I remember I was really bad at it.

Did you try to play any other Tomb Raider games? Do you follow the series at all? Do you like the new version of Lara?

I don’t [follow the franchise], no. I should really. I can obviously tell when I go to the shops and see the demos and posters and I can tell that the graphics have changed enormously since the time I was Lara.

[click here to see these scans in HD]

Other Lara models after you had some strict terms and conditions such as “no talking in the costume”. Were you under any such conditions?

No, they never told me that I wasn’t allowed to talk in the costume. I was walking around talking to people because people wanted to speak to me about the game or about Lara.

In this picture you’re with some people from Core Design including Toby Gard and the legendary Ian Livingstone. Did you speak to any of them? Were they giving you advice and directions on how to portray Lara?

No, they just said that she was sort of a “bad-ass”, “kick-ass” woman that is not to be messed with and she knows what she wants in her life and she’ll go out and get it.

Natalie Cook, Katie Price with Jeremy Heath-Smith, Toby Gard and Core Design. ECTS (1996), Olympia, London.

I know that Toby shouted “I created you!” at Katie and she just walked off swiftly.

[She laughs] I wonder what she said back

Oh no, she just walked away

Oh did she? [She laughs]

Tell us about the video advert that featured you dressed as Lara? How long did it take to film?

It was a night shoot at some sort of disused warehouse/factory and it was a 12-hour shoot. I remember I got there at 6 in the evening and left at 6 in the morning. It was all outside and it was quite a cold day as well so I was very, very cold. Unfortunately, it is not me doing the back-flips. My children think it was me. They’re like, “mum, I didn’t know you could do that! Show me!” and I’m like, “yeah, not now, I hurt my leg” [she laughs].

They had a firearms expert there as well to teach me how to fire real guns, which was fantastic! There were just lots of explosions…

Were they real guns?

Yes, they were real guns that I was using on set. Obviously there were blanks in them, but yeah they were real!

Did you expect the game to become so popular and Lara to turn into an iconic character?

No, not when I was here doing the shows, no. ECTS was the very first show that we did. I never ever thought that it would [become so popular]. It was when they chose me to be the official Lara Croft model and I went to do the launches for the game in different places I realised how big she was. All these fans were so interested in the game and the game was being labelled as one of the most amazing computer games of that generation. And obviously having a woman as a protagonist was incredible and new.

Ever went as Lara to a fancy dress party?

I don’t really go to that many fancy dress parties, but it could be an option! I never really thought of it actually! It is funny because we do have a fancy dress costume shop down the road from us and a Lara Croft outfit is in there and it is quite a nice one!

I know you’ve seen the Tomb Raider films, what are your thoughts on them?

I thought it was very good, I think they cast it very well. Angelina Jolie played an amazing part. It probably would have been better if they had a British actress, considering that she [Lara] is British… but she [Angelina] did fit the bill.

You know they’re making a third film right? You should definitely go for it!

Are they? Oh I did, back then when they were making the first film someone from Eidos called me and said that there might be an opportunity for me to have a small part in the film, but it never really happened…never mind

What are you up to these days?

Well, since being Lara Croft I did a couple of high-profile things after that. And then I had four children since then and I’m now a full-time mum and I love it!

I know that you write songs and play music…

Yeah, not really much going on there. I was supposed to bring out a record as Lara Croft and it was called “Raiders”. I recorded it in the studio and then the song was dropped…

Did you know Rhona Mitra, who was the model right after you, recorded an album as Lara?

Oh yes I’m aware of it, haven’t heard it though

It’s rather awful to be fair, perhaps you should consider correcting this?

Yeah! It is an option! Yeah! I’ll think of that!

Thank you so much for coming here today!

Oh you’re welcome!

See also:

Memorabilia signed by Natalie Cook

Natalie and Ash, 28/01/2016

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Throwback Thursday!

My very very first 3D renders. 3DS Max, 2005-2006.

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Simon Pegg is an English actor, comedian, screenwriter, and producer. Here’s his interview with PC Zone Magazine dated 6 of April 2006. Pay attention to the last paragraph!

Last month we met Brian Blessed, this month we met someone even better. That’s right: we fired questions at the beautifully peroxided bonce of Simon Pegg: celebrity bastion of scruffy sci-fi fans everywhere, co-creator of Spaced, writer and star of Shaun Of The Dead, bloke out of Big Train and general best person ever. Best.

But why our sudden dabbling in the murky underworld of celebrity? Well, you see Pegg lent his voice (well, we say lent – we assume there was a fee involved) to the neat WWII jaunt that is Commandos: Strike Force. Playing one Lieutenant William Hawkins (known by Commandos hacks throughout the ages as ‘The Sniper’), he was called in to play a man whose origins as a cheeky ragamuffin never diminished while his remarkable skill with a long steel cylinder became apparent – until he finally became a vital part in the Strike Force commando triptych.

Advertisement:As the joker in the pack and a man of maverick tendencies, Eidos decreed that only Pegg, a man who once attacked a zombie with a swingball set, could do justice to such a war hero. Whether or not there’s a few easter eggs in Strike Force in which Lieutenant Hawkins decries Kiora for being too orangey for crows, or indeed asks Commando Francis O’Brien to do his impression of Clyde the Orang-utan from Any Which Way But Loose is as yet unknown. All we can say is that he brings an unsurpassed aura of cheeky-chappiness to his voice-acting. We can also say stuff like “We’re not worthy”,
but that goes without saying.

What do you think it is about WWII that appeals so much to gamers?

Pegg: I think it’s at once contemporary, yet long enough ago to be romantic. Our modern perception of the conflict is now drawn from films and TV, which despite recent more visceral interpretations, still paints it as being a simple war. The enemy was easier to define as aggressive and morally corrupt-we were fighting fascism and fascism is bad. It’s hard to romanticise contemporary warfare without cynically exploiting it. I suppose you could have a game where a technologically-inferior opponent is fending off wave after wave of relentless attacks from a vastly superior power. No wait, that’s Space Invaders.

How long have you been into computer gaming?

Pegg: Probably since the ’70s when I was very young and fresh out of the swimming pool, waiting for my mum in the leisure centre foyer, eating salt-andvinegar crisps, smelling of chlorine and playing Galaxian.

What are you playing now?

Pegg: I’m still enjoying Half-Life 2 – it’s the best game I’ve ever played, so engrossing and wonderfully interactive. It’s absolutely head and shoulders above anything else – I love it. To be honest, I haven’t been gaming that much recently as I’m pretty busy. I played four-player Crash ‘N’ Burn round at my mate’s house on Xbox the other night, which he projected onto an 8ft screen – that was brilliant fun. I’m not a huge fan of driving games, but it was such a laugh. Elsewhere, I tend to enjoy the solitary danger of the first-person shooter. The new Resident Evil game was a really nice evolution in a series which was becoming a little tired. Homicidal villagers? I love that shit!

Have you dabbled with multiplayer?

Pegg: I’ve played a few multiplayer games on the PC: Half-Life and Half-Life 2, also Jedi Outcast and Jedi Academy. I had a good run on the latter – I just used to jump into the middle of pitch battles and throw my lightsabers around. It was my one perfected special move and it was devastating. That and the old forward roll into a jab. I f***ed up a fair few Rodians, I can tell you.

What do you make of all the haXx0r and their 1337 speak currently favoured by 12-year-olds the world over?

Pegg: I find them really scary. When I play multiplayer, I feel like a dad playing football with youngsters in the park. I shouldn’t mind that they’re better than me, but I do. I get really hacked off when some 13-year-old uses the zeropoint gravity gun to chuck a bench in my face and then types ‘fck u nuB’. Joining a game is sometimes like walking into a room full of hoodies and saying, ‘right guys, let’s steal some mobile telephones.

It’s a hugely underestimated subculture because most social commentators have no idea it exists. There’s an entire synthetic universe of smart-mouthed little thugs out there having the time of their lives. It’s the closest reality has ever come to the condition of super-humanity. By day, mild-mannered Timothy Simpkins from Reading (12); by night, a rocket launcher-wielding psychopath from hell, bent on destroying all who cross his path. They should make a multiplayer version of the Daily Mail. You’d have a huge online community of outraged conservatives, bemoaning the rise in teleportation and stealth beheadings.

A few of the current voice actors must be getting a little long in the tooth. Ever fancied becoming the new voice of Master Chief or Sam Fisher?

Pegg: Quality of voice-acting is vital. Games can be undermined or ruined by cheesy acting – and by the same token, they can also be improved by good characterisation. Sure, if the right character came up, it’d be fun to do more. I met Shelly Blond who did the original voice of Lara Croft a few years back and I was really impressed. We hung off a wall in an Indian restaurant and made grunting ‘effort noises’. That sounds weird; the restaurant was full of people. No, that still sounds weird…

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Here’s something cool for a Throwback Thursday! MCM Manchester 2013, Me and Lady Scion. At a time we didn’t knew each other (we started chatting on Twitter in 2014 and actually met in 2015) and it’s only today I realised that we took these photos in 2013 lol!

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This is basically what would happen if Lara could control her own fans! So be nice to her when you’ll play Tomb Raider next time!  

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Throwback Thursday. I made it to the finals at SCG – Super Cosplay Guys competition a couple of years back.

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In-depth review for Tomb Raider III.

Next Generation. Jan 1999

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